Cultural Patronage

The imagination, one of the values ​​that is the guideline of our office, is a sharp political scheme of cultural support, as well as sharpened technology, as well as a unique spiritual environment between the office and partner. Promote the role of the office.

In order to show the culture and importance of our office, this pledge can participate in the major events in the Paris art scene. It also has a new context for dialogue with the client, but it is nothing more than enjoying and promoting stat e-o f-th e-art art.

A Our cultural Patronage Initiatives

From 2016 to 2017, the legal advisor of the Paris Cabinet supported Réunion des Musées NationalAu x-Grand Palais and sponsored the Erzhe exhibition.

The volunteer policy of this cultural sponsor, which was adopted when Helmut Newton's retrospective exhibition was supported by Grand Palais in 2012, was the Kita Helling Exhibition at the Villa de Paris Museum of Art in 2013. In 2015, it was continued through the retrospective of Nicky de San Fars in Grand Palais, focusing on the lon g-term loyalty to culture.

A few examples of our initiatives

In particular, I am interested in Bal and his "La Fabrique Du Apport" platform, and aims to learn the optimal analysis method of images for young people. We wanted to support this activity. As a result, it was found that this initiative was a unique, comprehensive education and a cultural patronage that linked the two directions of this fund's activities. In particular, the support of the fund is aimed at the formation of the "Mon Journal Du Monde" program for young people aged 11 to 15 years old.

The Linklaters Collection

Along with the assistance of museums and museums, our loyalty to culture has been supported by the most advanced photo collections that have been increasing in our office since 2010. Photographs of Yokainim a-series Charles Frezcha, which were exhibited at Arlsk i-browSing in 2016 And the most popular photo of France House Bernard Plasu 12 color photos 1st. The latter complements 12 monochrome photos, which were already part of our collection.

Click here for the catalog of the Link Traters Collection.

Find out more about the artists of the Linklaters Collection

Gerado Custance

Herald Kistan, Anti, Guadalahara, 2007

Alcos de Haron, Pelimetro No. 3, 2010

Born in Spain in 1976. Graduated from the Department of Photography at the Polytechnic University of Catalonia. From 2004 to 2005, he completed his Masters in Documentary Photography at the University of Westminster in London. In 2006, he started the PeriMetro project, receiving an art grant from the Museum of Contemporary Art of Castile and Leon. In 2008, he received a Visual Arts Development Grant from the Botín Foundation to complete the project, which was published as a book by Exit Publications in 2010.

Gerard Kistanz has participated in several international exhibitions, starting with his first exhibition at the Galerie Polaris in Paris in November 2008. His works are included in many collections, including the Maison Européenne de Photographie, the National Center for Plastic Arts, and the Museum of Contemporary Art of Castile and Leon.

Gerard Kistanz's astonishingly picturesque photographs highlight the relationship between man and nature, focusing on empty, almost imaginary landscapes, and drawing the viewer back to his own inner world. The artist's eye catches the strange imposition of the old and the new, the human and the non-human, constantly returning to the question of trace and articulation of documents and monuments.

Raymond Depardon

Raymon Depardon, Diepp,

Hay Maritima, series "France", 2009

© Raymon Depardon / Magnu m-photos

Raymon Depardon, Cabra, ERO, DE

Series "France", 2007

© Raymon Depardon / Magnu m-photos

Raymon Depardon was born on July 6, 1942 in a farming family in Wilfranche-sur-Son. He took his first photographs while growing up on his parents' farm, and began his career as a photojournalist in Paris in 1958. Switching between stories about people and correspondence abroad, he covered numerous political events and international conflicts (such as Chad and Chile). As a photographer, his work won the French National Grand Prix de la Photographie in 1991 and he regularly participates in exhibitions in France and abroad. He has also exhibited at the Paris City Hall, the Paris Magnum exhibition, the UN Moment SI exhibition "Doux" at the Grand Palais and the Mucem (2014-2015), and especially the "La France" series, which was shown at the BNF François Mitterrand in 2010-2011.

Raymon Dparudon is not only a famous photographer, but also a film director. His work includes "Journal de France" (2012), "Profils Paysans" trilogy (2000, 2005, 2008), which recorded the process of the photo series of the same name. "1974, Une Partie de Campagne" (2002), and "Murielits Flagats" (1994), "FAITS DIVERS" (1994), which depicts the first election campaign of Ziskar Dance Ten ) There is a movie series.

In 2004, Raymon Dparudon said, "I made a crazy and personal decision to shoot in the French region (with a 20x25 camera). I spend time to leave France in Ithen and understand France. I had to do it.

The image of the capital, sightseeing route, and fixed images have disappeared, and instead, photographs of inland areas that have made modern transformation through the development policy of authorities and indicates a history of history. Raymon Duperdon is mainly photographing an empty space. Silhouettes and portraits are rare or not seen from his photos. "I wanted to return to the silent essence of the photo," he wrote. French people really exist only because they are absent in places that show general everyday history, such as cafes, bars, post offices, schools, cinemas, and bakers.

This is in France we see, and traces are scattered. Raymon Duparudon sends us to a place that is likely to be everywhere, and invites where he is a portrait and character.

Joan Fontcuberta

Joan Fonchubert, Dipetic Phantom,

2001

Joan Fonchubert, a worl d-famous Catalonia photographer, was born in Barcelona in 1955. He still lives in Barcelona and is active in many fields as artists, theorists, teachers and curators.

It is called sel f-taught artist, and its intellectual training is related to information and communication science. He emphasizes the educational personality of the work, shows the image (realization of reality) as a trap, and always projects the meaning. He uses all tricks to distort the image and documentation and question the "truth" in the photo.

His photographs are in the collections of the Metro Museum in New York, MoMA in San Francisco, State Gallery in Ottawa, Centre Pompidou in Paris, Steedericki Museum in Amsterdam, and Macba in Barcelona. He has had numerous solo exhibitions at the Museum of Modern Art (MoMA) in New York, the University of the Art Institute of Chicago, Ivam in Valencia, Castel de Belle Vie in Rome, Castel de Belle Vie in Lille, and Casa de la Moneda in Bogotá.

He was one of the founders of Photovision magazine, where he played a central role in its editorials for 20 years and published many books on the situation, aesthetics, and photographic education. He was also artistic manager of the Rencontres Photographouts d'Arles photo contest.

In the "Pingzhuang" series, Joan Fontcelta is responsible for China's seizure and, even more so, absolute dismantling of a South American fighter plane. China then returned the plane, which was retrieved in a totally absurd way. Thus, the instrument of destruction became redundant and was transformed into a plausible object that evoked the memory of science fiction. Thus, this "finished plane" reflects the conflict between power and destructive work, between respect and intervention.

Joan Fontselta's thinking is built on a cyclical question of the form of representation, with support for projects that are considered, for example, artistic and sociological.

Charles Freger

Charles Fillet, Saotome 3-chome, Sendai, Miyagi Prefecture,

Sendai, Miyagi Prefecture, 2013-2015.

Charles Fillet, Fâmâ isigazimzima,

Okinawa Prefecture, 2013-2015.

Charles Fregee was a French photographer born in Bourge in 1975 and graduated from Ecole de Bosal in Rouan in 2000. Established networks with European and American designers and art publishers Piece of Cake. Since the early 2000s, Charles Fregee has been working on a collection entitled "Portrait of Photos and Uniforms." The series, including Europe and around the world, focused on groups such as athletes, fighters, and students, focusing on his equipment and uniforms. He is already on the day of the day at the Hermes Forum in Tokyo (2016), the Liangzhou Photo Festival in China (2015), and the Mexico Montelay Find Art Museum (2014). In France, a solo exhibition was held on Mac/Val in 2013. Charles Fregee is still one of the most important designers announced in the 2016 Rencontres Photographiciques d'Arles.

Charles Frieger often contains a composition with a central frame, including shots from the front, absolute height, shots of the upper body, and large intentional shots. We use all the components of. The transparency of lighting and the neutral expression of the expression with a very sensitive image of the quality of the skin and the texture of the clothing suggests the idea of ​​a portrait drawn by an old master.

Immediately after the end of the Euro Tour of his winter masquerade (Wilder Mann) in 2013, Charles Frieger began a photo project to study Japanese ritual masks. This theme is now part of the Link Traters Collection, and is related to 10 prints that are part of the "Yokai Nojima" series. These are also the subject of books published by publisher Actes Sud. Youkai, demon, tengu, and kappa are also called ghosts, monsters, canors, and monsters, and are a ritual person created by humans. It is expressed at the time.

Joan Fontcuberta

Joan Fonchubert, Dipetic Phantom,

2001

Joan Fonchubert, a worl d-famous Catalonia photographer, was born in Barcelona in 1955. He still lives in Barcelona and is active in many fields as artists, theorists, teachers and curators.

It is called sel f-taught artist, and its intellectual training is related to information and communication science. He emphasizes the educational personality of the work, shows the image (realization of reality) as a trap, and always projects the meaning. He uses all tricks to distort the image and documentation and question the "truth" in the photo.

His photographs are in the collections of the Metro Museum in New York, MoMA in San Francisco, State Gallery in Ottawa, Centre Pompidou in Paris, Steedericki Museum in Amsterdam, and Macba in Barcelona. He has had numerous solo exhibitions at the Museum of Modern Art (MoMA) in New York, the University of the Art Institute of Chicago, Ivam in Valencia, Castel de Belle Vie in Rome, Castel de Belle Vie in Lille, and Casa de la Moneda in Bogotá.

He was one of the founders of Photovision magazine, where he played a central role in its editorials for 20 years and published many books on the situation, aesthetics, and photographic education. He was also artistic manager of the Rencontres Photographouts d'Arles photo contest.

In the "Pingzhuang" series, Joan Fontcelta is responsible for China's seizure and, even more so, absolute dismantling of a South American fighter plane. China then returned the plane, which was retrieved in a totally absurd way. Thus, the instrument of destruction became redundant and was transformed into a plausible object that evoked the memory of science fiction. Thus, this "finished plane" reflects the conflict between power and destructive work, between respect and intervention.

Joan Fontselta's thinking is built on a cyclical question of the form of representation, with support for projects that are considered, for example, artistic and sociological.

Carl de Keyzer

Karl de Keyser, Thames Estuary, Royaum Uni, 2009 © Karl de Keyser / MAGNUM Photos

Karl de Keyser, Blankenberge, Belgium, 2006 © Karl de Keyser / MAGNUM Photos

Charles Fregee was a French photographer born in Bourge in 1975 and graduated from Ecole de Bosal in Rouan in 2000. Established networks with European and American designers and art publishers Piece of Cake. Since the early 2000s, Charles Fregee has been working on a collection entitled "Portrait of Photos and Uniforms." The series, including Europe and around the world, focused on groups such as athletes, fighters, and students, focusing on his equipment and uniforms. He is already on the day of the day at the Hermes Forum in Tokyo (2016), the Liangzhou Photo Festival in China (2015), and the Mexico Montelay Find Art Museum (2014). In France, a solo exhibition was held on Mac/Val in 2013. Charles Fregee is still one of the most important designers announced in the 2016 Rencontres Photographiciques d'Arles.

Charles Frieger often contains a composition with a central frame, including shots from the front, absolute height, shots of the upper body, and large intentional shots. We use all the components of. The transparency of lighting and the neutral expression of the expression with a very sensitive image of the quality of the skin and the texture of the clothing suggests the idea of ​​a portrait drawn by an old master.

Immediately after the end of the Euro Tour of his winter masquerade (Wilder Mann) in 2013, Charles Frieger began a photo project to study Japanese ritual masks. This theme is now part of the Link Traters Collection, and is related to 10 prints that are part of the "Yokai Nojima" series. These are also the subject of books published by publisher Actes Sud. Youkai, demon, tengu, and kappa are also called ghosts, monsters, canors, and monsters, and are a ritual person created by humans. It is expressed at the time.

Manuela Marques

Born in Portugal in 1959. In 2011, she received the BES Photo Prize from the Coleção Berardo Museum in Lisbon. In 2014, the exhibition "Manuela Marques, La taille de ce vent est un Triangle dans l'eau" (The Shape of the Wind is a Triangle in the Water) was held at the Foundation Calouste Gulbenkian in Paris, where a large part of her latest photographic work was displayed.

Similarly, just as a state of ecstasy has the ability to excite and disturb, her work creates a surprising, hypnotic world that is at the same time holistic, multifaceted and infinitely graceful. The difficulty of finding an answer to the questions posed by her subjects is considered an important nuance of the artist's paintings. There are no unconditional conclusions here, no soulful outpourings. Everything, including the artist's method of production, happens in a process of exploration, hesitation and questioning.

Manuela Marquez's destruction of illusions is both disturbing and exhilarating. Her permissions are as deceptive as they are seductive. Her still lifes and the drawn bodies of her figures have meaning even when the clues are not visible. This is because Manuela Marquez wants these clues to be as ambiguous as possible with her singular compositions, her games of construction and deconstruction, her empty and full spaces that contradict each other every day.

Edgar Martins, Mobile Portal of the Vega Launcher,

Edgar Martins

Kourou, French Guiana,

2013 © Edgar Martins

Edgar Martins, Astronaut Yuri Gagarin

2013 © Edgar Martins

Edgar Martins, Astronaut Yuri Gagarin

His series "Rehearsal of Place and the Poetic Impossibility of Steering Infinity", which is a selection of three photographs from the Linklaters Collection, is the result of a collaboration with the European Galactic Agency (ESA).

In 2012, Edgar Martins had the opportunity to access the research facilities of ESA and its partners, in particular their manned galactic missions and their Lunar and Mars research programs. Over the course of two years, he visited 20 strategic locations, launch sites and astronaut training centres in Europe, French Guiana, the Russian Federation and Kazakhstan that are never open to the public.

Its composition and ultra-realism contrast with the veil of secrecy and mystery that usually surrounds space-related activities. The objects photographed in Space Rehearsal, though rarely seen by the public, seem strangely familiar, highlighting the influence of popular culture in the development of our understanding of space exploration.

The series, which consists of more than 90 photographs, takes a dual approach: it is both descriptive and speculative, on the edge between reality and fiction. In this way, Edgar Martins highlights the politics of space exploration, the important role that science and technology play in our society, and our relationship with the unknown.

James McDivitt, Ed White

Nasa photographs (1965-1972)

Mexican Sea

La Terre (Apollo 8)

Fifty years ago, on June 3, 1965, over the Gulf of Mexico, Ed White made his mark on history. He performed the first American spacewalk (Soviet cosmonaut Alexei Leonov had done the first a few months earlier), the first flight of more than 24 hours, the first flight of the space age, broadcast live in Europe, and the first monitored from NASA's brand new mission control center near Houston, Texas.

The 17 NASA photos in the Linklaters Collection are prints from this era, marked with NASA stamps, legends, and reference numbers.

After each flight, NASA released only a small number of photos to the media, the rest were available only to accredited researchers in the archives of the Manned Spacecraft Center in Houston. Most of these photos were not kept because news organizations and television stations found them interesting but short-lived, and were disposed of in the early 1980s when space exploration was no longer news. Since the 1990s, NASA itself has strengthened this process of physically destroying prints by archiving them online.

At the beginning of the space age, NASA had no idea how photographs would affect its programs. Officials did not immediately realize the great public interest in these photographs. The first two astronauts, Alan Shepard and Virgil Grissom, did not bring cameras, and the third, John Glenn, had to purchase one at a local pharmacy before the flight. NASA's attitude was summarized in a department memo that read, "Astronauts may bring their own cameras if they wish."

These images are the last monthly mission from Edo 8 to Apollo 17 (1968 to 1972), and of course Neil Arm Strong in 1965, from Apollo 8 to Apollo 17 (1968-1972). Until the first step towards Buzz Orderlin to the moon, it depicts the situation of the universe conquest.

July 1, 2001

Mathieu Pernot

Le meilleur des Mondes,

Matyu Pernno was born in 1970 and lives in Paris. After graduating from Arles' National Photographic High Education Institute, he produced documentary works and installations on the theme of urban planning, immigration, people without status, and problems between politics and intimacy. In 1998, he received a subsidy from Villa Medicis and received numerous awards, including the 2013 Nadal Prize and the 2014 Nieps Prize. To date, 11 books have been published. After that, it was exhibited in many popular exhibitions, including the National Photographic Center, the Nielefall Niets Nieps Museum, and the Arles Meeting (2007, 2002, 1997), and in 2014, two larg e-scale exhibitions were exhibited. Ta: La Traversée of Ju de Pome and L'ASILE DES PHOTOGRAPHIES of Maison Rouge.

Link Traters' Collection is currently developing three series: Impr o-Ondes, Le Miyuur de Monde, and Le Temowan. In each case, you can get a glimpse of a huge apartment house, which introduces the standards of utopia and the building itself.

From 2000 to 2008, Machu Perno filmed the destruction of tower apartments built in the suburbs of major French cities in the discussion of urban redevelopment. These explosions are spectacular, suggesting that they will replace the movement from existence to no n-existence, to be forgotten, the destruction of the first world, and the standards of old utopia to renewing human residence. 。 The lump of the dynamite is caught in the clouds of smoke, the defenseless moment of the moment of the eruption, and emits a tragic shine.

Matyu Perno discovered a collection of postcards in the 1950s and 1980s in 2006 in this job. These functional images were widely available as progress and signs of modern times. Designers have grown and expanded them under the title "Le Meilleur des Mondes" ("the best world"), creating a monument to the norms of the Utopia in the city.

By blowing life into these images, the writer creates the voices of their residents, instant photos of their lives, and as the Les Témoins series. Serious ghosts and obsessions dissolve in the color and printing process.

Italy, Milan, 2009

Bernard Plossu

New Mexico, 1984

He visited the Sahara desert with his father in 1958, and in 1965 he went to Mexico as a member of the British expedition and photographed the Zapus jungle. Later, he said that this Mexican trip had a chance to find his style and form a vision.

Later, he announced a number of color report series focusing on Indians in Maya, California, Western, USA, Nevada and Midwest. In 1970, he worked on an article about India and developed an idea of ​​"Surban" photographs that revealed the internal intensity of mediocre like Surrealism in a more romantic way.

It is currently regarded as one of the most famous French photographers, and has won numerous awards, including the 1988 National Award Grand Prix.

He held many retrospective exhibitions, including the Georges Pompidu Center (1988), the San Diego Museum of Photography (1989), the Valencia Museum of Contemporary Art (1997), and the Museum of Modern Art (2007).

In 2012, the Bazanson Art and Archeological Museum held his exhibition, and more than 200 photos focused on encounters between photographers and subjects, including famous Mexico travel. Bernard Procy has been at the center of the cultural scene since 2013. As part of the large retrospective exhibition "Color-Photo Editions, 1956-2013" held in the Grani Museum of Art and Montpelier, it was exhibited in the center of "LiveLy Mercy". In 2015, a large retrospective "Italian Bernard Pros" was held at a European photo studio in Paris.

His work was completely harmonized with the development of modern French photos. His sensual image talks to us about the soft texture of the body, the movement, and the other "space in the space" along with its uncertain and quiet vibration. He often uses an autobiographical approach to subjects such as travel, space, and family, and his work has intimate su b-text and a lon g-standing feature of his work for many years.